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  • 2025 Highlights: TheJoshWorld Predictions, Trades, and Coincidences

    Introduction: Why I Started TheJoshWorld

    For almost a decade I’ve noticed things lining up — market shifts, global headlines, random coincidences that seemed to mirror thoughts or posts I’d made. In early 2025 I finally decided to document them publicly through TheJoshWorld. What follows isn’t a victory lap or a “look-at-me” list. It’s simply a highlight reel of the wildest, most telling moments that unfolded once I started putting my observations out in the open.


    1. Power and Politics: From Royal Dinners to Joshua Tweets

    Early in the year, the political world delivered one of those uncanny overlaps.
    I tweeted about how King Charles & Trump should get together for a ‘Chuck Steak, ‘ here. Two days later The Guardian ran a headline about an “unprecedented second state visit”. Timing like that always makes me pause.

    Not long after, a video circulated that seemed to feature Donald Trump mentioning my “poker” idea — a symbolic table where world leaders play cards instead of wars. In the clip, he even alludes to something sounding like my “geotokenizer” concept. Whether genuine or cleverly edited, it was surreal to watch. Around the same time, Trump posted a message on X about being “strong and courageous,” a phrase that mirrored themes I’d been discussing that week.

    These moments set the tone for the rest of the year: political theatre meeting digital coincidence.


    2. The February Short and Market Mayhem

    My birthday falls at the start of February, and this year I felt that the market — specifically the E-mini S&P — was positioned for a serious short squeeze. I talked about it privately and hinted online that conditions looked perfect to “put pressure on longs.”

    That forecast would end up aligning with what I called a “$350 billion move.” The timing wasn’t luck; the structure of the market looked heavy, and within weeks, indexes cracked hard. Even after I realized the contract expiration wasn’t when I’d thought, the drop played out nearly exactly as expected. It was one of those periods where instinct and structure converged.


    3. Tesla, Suppression, and the 420→220 Slide

    From January through March I was posting constantly about Tesla, Elon Musk, and how Twitter/X itself seemed to throttle certain voices — including mine.
    Hashtags disappeared, tweets vanished, notifications glitched. One of my accounts with 13K followers couldn’t even follow anyone.

    During that same stretch, Tesla’s stock sank from $420 to $220. Correlation isn’t causation, but I couldn’t help noticing the symmetry between railing at the algorithm and watching one of the platform’s biggest figures take a market hit.

    At one point I even turned the frustration into a bit of wordplay:

    “The ladderless lunk of a sunk to a sank of a song sing sung already.”

    It was creative venting — and a timestamp on a strange season for both social media and Tesla investors.


    4. Pendle, Brazil, and the Global Trades

    Not every highlight was a complaint; some were just perfect timing.

    Pendle’s Airdrop Surge

    I posted about it here. Within 17 days of receiving an airdrop the token had spiked roughly 60 percent, to the literal day of when I received the airdrop and had searched about it. Yes, a fake airdrop, but real market rhythm. (And if you dig down in my tweets, I do apologize for my ‘choice words’ on occasion, but unfortunately situations at points deemed as such it seemed at the time) 🙂

    The Brazilian Real

    Another thread here carried the caption, “Don’t invent the wheel, reinvent the ‘real.’” I often liked to tweet Elon Musk about things sporadically throughout the year, one tweet highlighted — “The 350 billion [prediction] in the ES last month was more substantial, but 5–6 million in a day [as predictions go] for Brazil still isn’t too much to scoff at.”

    The Real stayed about 8–9 percent higher months later. It felt fitting that a Kansas City native — Chiefs fan, former Geico employee, practically a neighbor of Patrick Mahomes — would make a good call on Brazil, where the Chiefs opened their season this year.

    And don’t get me started on the ‘People Go’ song I produced that I tweeted Taylor Swift about (kind of jokingly) and then 3 days later after telling Travis to marry her they got engaged. And no I’m seriously not joking.

    It’s nice to know maybe some people read my tweets haha


    5. The Summer Short and the 2016 Mimic Pattern

    In July I posted a chart showing how 2025’s market looked eerily like 2016’s.
    The accompanying tweet here warned that the setup could bring the usual September sell-off.

    “That would get us through sell-offs in September… but I doubt it would take out 4832/4835 in that move lol.”

    Sure enough, the market followed that mimic pattern closely. It was one of two or three déjà-vu-style trades that year where history didn’t just rhyme — it almost copied and pasted.


    6. Crypto Whiplash: Bitcoin, Ethereum, and the OpenSea Freeze

    The 74 K Call

    In late spring I posted a long, tongue-in-cheek tweet about Bitcoin pulling back to the mid-70 Ks:

    “I wouldn’t be surprised if we hit down 74–78 before … less of a buy trap from Trump/gov push…”
    Tweet link

    The market did exactly that — dropped into 74 K territory before rocketing to 127 K.

    The 127 K Double Top

    By the time Bitcoin touched 119 K–127 K, I called it a double top here and noted I’d been riding it down “since like 126.” Hours later the official @Bitcoin account celebrated its first 20 K-point daily candle — right into the 102 K low I’d mapped out.

    I posted follow-ups explaining the logic — that heavy bid walls were forcing a mechanical drop — here and here.

    Bitcoin the coming weeks continued to drop from that double top all the way down to nearly 80k.

    Ethereum and NFTs

    Around the time I started NFT-ing, Ethereum jumped roughly 36 percent in five days, eventually gaining about $1,700 from where I’d entered the NFT scene.
    Later I tweeted that it was “gunning the highs” here.

    The OpenSea Block

    At the peak of that momentum, a buyer tried to purchase one of my NFTs for $70 K — and OpenSea blocked the sale. I posted the screenshot here.
    Nothing like watching a life-changing notification turn into an error message.


    7. Oil, the Middle East, and a 10 Percent Swing

    One night I posted:

    “Whoops lol just called this LIVE AND REAL TIME IN MY OWN ETHER SPACE LOL…
    YES YES SHAWTY ARABIA IRAN SHAKL BE CUT OFF FROM THE COMEX CME NYMEX LOL.”
    Tweet link

    It was right as reports broke about U.S. strikes on Iran. Markets spiked at the open — then sank hard.

    Several months later I sent a half-serious, half-sarcastic reply to @khamenei_ir and @netanyahu, noting how the region seemed calmer and joking about “adding them back to the COMEX.”

    Five days later I followed up:

    “HOW ABOUT UP 10 % for ya Mr. Khamenei … since I posted this above.”
    Tweet link

    Oil had indeed risen nearly 10 percent. Whether I called it or just felt the tremor early, the chart tells the story.


    8. GoDaddy, Glitches, and a 100-Point Drop

    Tech platforms had their own sense of timing.
    One Thursday evening around 7 p.m., my GoDaddy site dashboard flashed a glimpse at the normal dashboard and immediately redirected to a secondary dashboard hiding my messages and other elements. Glitches like this seemed potentially another personal mishap like the other company induced blunders that had occurred throughout the year (of which there is a seriously growing list that I try to forget about). I posted a short video complaining:

    “Smh what the hell @GoDaddy 😔 Why? Really? What a bs country and to think they’re on the S&P 500 now unbelievable.”
    Tweet link

    Minutes later, the E-mini S&P dropped 100 points.
    My follow-up captured the disbelief:

    “WHOOPS MY BAD GUYS WHEN DID THAT 100 POINT DROP START AT 7:00 O’CLOCK ON A THURSDAY… MY TIMESTAMP TO A T NEARLY 👍 #s&p #markets.”
    Tweet link


    9. Reflections and What’s Next

    Looking back, 2025 wasn’t the first time these patterns appeared — it’s just the first time I shared them in real time. From political oddities to crypto double-tops, from fake airdrops to blocked sales, the record now exists in timestamps and links rather than just memories.

    The goal of TheJoshWorld has never been to prove supernatural timing or market mastery. It’s to document the overlaps — the places where digital expression and real-world movement seem to cross.

    Some of these highlights deserve deeper dives: the February short mechanics, the Tesla-suppression saga, the crypto reversals, the oil spike. I’ll be expanding on many of them likely in weeks/months to come.

    For now, this is the 2025 highlight reel — the year I finally started keeping track publicly. The patterns may be strange, but they’re real enough to record. And that, more than anything, is what TheJoshWorld is about.

  • Edge Lands and the Expanding World of theJoshWorld

    When I started theJoshWorld in January 2025, it began as a place to document the fascinating mix of things I work on — from music and markets to code and even cooking. It was meant to be a creative record of my life, a sort of open journal where others could follow along with what I build, make, and discover.

    The Music Journey So Far

    Since that beginning, music has remained at the center of my creative process. My first two albums, Lines, of Falling Ash and Ice Down, Harmonico, were both studio-produced projects that captured the evolving sound of my guitar work — part improvisation, part storytelling. Both are available on Spotify, Apple Music, and other platforms.

    In 2025, I released my third full-length album, Edge Lands — a 14-track exploration of texture, tone, and reflection. The tracklist includes:

    1. Treading Water
    2. It Claims
    3. 4 of 9
    4. For Today
    5. Rusted Metal A Liens
    6. Evaporating Up
    7. Winter’s Fades
    8. Whether How
    9. The Same
    10. New Days
    11. Late, of Night
    12. These Years
    13. Burning Bright
    14. The Edge of the Forest, The Edge of the Sea

    This album represents a deeper dive into emotional landscapes and improvised composition, blending ambient guitar layers with structured melodic flow. Each track grew from live performance energy and a desire to build something both cinematic and deeply personal.

    ⛪ Introducing Chapel Halls — Something New

    Alongside my solo work, I’ve been quietly building a side project called Chapel Halls — a Christian music project focused on worship and spiritual connection. The goal is to help people connect to God, the Creator, through music that’s heartfelt, reflective, and worship-centered.

    The debut Chapel Halls album is scheduled for release on October 10, 2025, and a single is already available. A good amount of work and intention has gone into it — from songwriting to production — and I’m excited for what it will mean for those who listen.

    💡 Beyond Music

    Outside of music, I continue to develop creative and technical projects — from software development and finance innovation to culinary experiments.

    🌊 Looking Ahead

    Whether it’s through music, art, code, or ideas, theJoshWorld is my way of exploring curiosity in public — documenting a life filled with creativity and sharing it with anyone who finds inspiration in it.

    As the world of theJoshWorld continues to evolve, Edge Lands marks another step in that journey — one that bridges the personal and the shared, and sets the stage for everything still to come.

  • Ice Down, Harmonico — New Album Release

    I’m excited to share my brand-new album, Ice Down, Harmonico. This project has been in the works for a decent amount of time, and it’s finally ready to meet the world.

    The album contains 9 completely new songs — tracks that haven’t been posted to YouTube or shared anywhere else before now. I’ve also decided to post a little less frequently on YouTube going forward, partly because of the ongoing YouTube view subtraction issue I’ve been experiencing. (I’ve written more about that in detail here).

    Alongside the new tracks, Ice Down, Harmonico also includes 7 previously released songs that some of you may already know from my YouTube channel. Altogether, the album weaves together both familiar and entirely new works, every song written and produced by me.

    You can now listen to the album on Spotify, and it should also be available soon on Apple/iTunes, Amazon, and other major platforms and stores.


    Tracklist

    1. Ice Down
    2. Glass On Film
    3. Time and Day
    4. Colors
    5. Korea Jima
    6. The Rain
    7. Try May Be Say
    8. In Spanish
    9. Broken Stairwells
    10. Nor Murk Nor Meadow
    11. Blue Light Mountains
    12. People Go
    13. Fake, to the Bone
    14. Like a Blue Gray
    15. Cold Foal
    16. Nesting Shoals

    Thoughts on the Album

    Much of this album is left open to interpretation. The songs are layered with meaning, and in many of them, there are hidden textures and threads woven in — pieces that listeners may catch on the second, third, or tenth listen.

    For me, writing and developing this album was a lot of fun. Some songs came out of spontaneous moments, while others grew over time as I added technical elements and subtle production details. Together, they form a body of work that reflects both experimentation and personal storytelling.


    Listen Now

    You can listen to Ice Down, Harmonico via the embedded Spotify player below, or by clicking through to the album on your platform of choice:

  • Echoes of ‘Korea Jima’ (New Song)

    I’ve written and produced a song called Korea Jima. As its name suggests, the song references both Korea and Iwo Jima — two places that carry immense historical weight and personal meaning for me.

    My grandfather fought in the Korean War, and my great uncle — along with other family members — served during World War II. My great uncle in particular played an important role in several Japanese battles, including Iwo Jima. He worked with heavy machinery to help prepare the beaches, clearing mines and laying the groundwork before troops landed under fire. Stories like his remind me that freedom is never accidental; it is earned through unimaginable sacrifice.

    Korea Jima is a reflection on war, family, and memory. The lyrics hint at the brutality of Pearl Harbor, when America was attacked with no warning or alarm, and the conflicts that followed — the Pacific battles and Korea.

    Lyrics:

    when the sun is shining
    the day is gonna be

    when the sun is shining
    nothings gonna see

    Nothing down at the waters edge,
    but you, me, and thee

    when the sun is shining
    the day is gonna be

    when the sun is shining
    nothings gonna see

    Nothing down at the waters edge,
    but you, me, and thee

    Iwa Jima, Korea
    Iwa Jima, Korea
    Iwa Jima, Korea

    when the sun is shining
    the day is gonna be

    when the sun is shining
    nothings gonna see

    when the sun is shining
    the day is gonna be

    when the sun is shining
    nothings gonna see

    Iwa Jima, Korea

    Iwa Jima, Korea

    Sitting back, watching things go by,
    Sitting down, hoping all those lies

    Sitting back, watching things go by,
    Sitting down, hoping all those lies

    But it draws, it draws,


    For me, this song isn’t just about remembering history — it’s about the importance of taking action. Life doesn’t wait for us when we sit back, hoping things will work themselves out. My family members, like so many others, didn’t just watch the world go by. They acted, they fought, and some gave their lives so that we could live freely today.

    Korea Jima is a reminder: never forget the importance of family, never forget those who sacrificed, and never let their courage fade from memory.


    P.S. I actually created three different versions of this song. I’ve chosen to release one for now, but one day I might share all three. Each version offers its own perspective on the battles, the war, and the way we remember history.

    -Josh


    Connect with Me

    Follow for more music, art, and updates:

    Click here to watch Korea Jima

  • Two New Songs and a Special Bonus

    If you’re here just for the special bonus, scroll down to the last section — but I think you’ll want to stick around for these two brand-new tracks from my next album.

    After my debut album — a 16-song collection of fully produced studio tracks — I’m excited to share two new songs that will be part of my upcoming 2nd album release. Like all my studio versions, both are built from original pieces I’ve written before, but this time they’ve been reimagined with more technical elements, including enhanced production layers and a touch more electronic texture to expand their sound.


    Glass on Film

    This song is being left open to interpretation, though it carries lines that could be read as a nod to persevering through difficult times. It’s layered, dynamic, and one of my favorites from this new chapter in my music.

    Lyrics:

    the road is marked with nothing like and empty sand of rain
    aint not water rock or glass nor fame

    the road is marked with nothing like and empty sand of rain
    aint not water rock or glass nor fame

    Then you get a bit of rain outside
    something saying dont demise

    Like a piece of glass on film but not

    Just saying, when nothing’s left to go,
    you ought to ought to know,
    it aint always so

    Just when there’s nothing left to be
    it’s closing time to see
    where to go

    instrumental

    Just saying, when nothing’s left to go,
    you ought to ought to know,
    it aint always so

    Just when there’s nothing left to be
    it’s closing time to see
    where to go


    Time and Day

    Also left up to interpretation, Time and Day carries a reflective, almost cyclical structure in its lyrics. Like Glass on Film, it’s adapted from one of my original works but now comes alive with more intricate arrangement and subtle electronic elements that expand its atmosphere.

    Lyrics:

    the future lays time and day
    the future lays time and day
    the future lays time and day
    the future lays time and day

    then you find the road outside
    of the lines that make the night

    then you find the road outside
    of the lines that make the night

    then you realize nothing matters
    then you realize nothing matters
    then you realize nothing matters
    then you realize nothing matters

    the future lays time and day
    the future lays time and day
    the future lays time and day
    the future lays time and day

    the future lays time and day
    the future lays time and day
    the future lays time and day
    the future lays time and day


    The Special Bonus: Martial Flaw

    This is something different — a song I wrote around four months ago, when Volodymyr Zelenskyy had enacted martial law to maintain his office in Ukraine. The guitar portion was composed back then, but the lyrics came later. The track is a critique of using martial law as a political tool to manipulate an election — something I don’t believe the world should stand for. Nearly every nation upholds its constitution as the framework for leadership, and breaking that principle undermines trust and governance.

    Coincidentally, the timing of this release aligns with the same week Donald Trump deployed the National Guard to Washington, D.C. for extra security. While that’s clearly not the same as exceeding term limits, it does serve as a reminder that leaders everywhere should resist overstepping constitutional boundaries.

    Lyrics:

    Uk of rain, nothing but the stain, like a bit shame
    Your tick of tame, not to speak of pain, nothing but the frame
    like the pic of do, nothing but your lieu, sitting in the off
    on of what to tice, nothing but your lice sitting with a splice

    Martial Flawwwwwwwwwwwww,awwwwwww,awwwwwww
    Martial Flawwwwwwwwwwwww,awwwwwww,awwwwwww

    Martial Flawwwwwwwwwwwww,awwwwwww,awwwwwww
    Martial Flawwwwwwwwwwwww,awwwwwww,awwwwwww

    Crane like a bird, nought but a word sitting of the U
    wings like duck quacking not of luck peking like the stew
    crossing faulty lines, flipping with the crimes, breaking term with times
    moving to your back, watching what you lack, better hear you quack

    Martial Flawwwwwwwwwwwww,awwwwwww,awwwwwww
    Martial Flawwwwwwwwwwwww,awwwwwww,awwwwwww

    Martial Flawwwwwwwwwwwww,awwwwwww,awwwwwww
    Martial Flawwwwwwwwwwwww,awwwwwww,awwwwwww


    If you’ve been following my music, these tracks represent the ongoing evolution of my sound — rooted in my original writing, now taken further with thoughtful production and experimental layers. Glass on Film and Time and Day will be part of my upcoming 2nd album, while Martial Flaw stands as a timely commentary piece.

    -Josh Montague


    Follow me for music, art, and updates:


    Glass on Film – Click here to listen/watch
    Time and Day – Click here to listen/watch
    Martial Flaw – Click here to listen/watch

  • Anchor End – Josh Montague (Album Closing)

    The Thematic Closing of an Album’s Journey

    Lyrics:

    In the light of the sun lit rays
    in the light of what sank for days

    In the light of the sun lit rays
    in the light of what sank for days

    is, the anchor of, your soul

    don’t forget from you to me,
    the tide and winds will not move thee

    In the light of the sun lit rays
    in the light of what sank for days

    In the light of the sun lit rays
    in the light of what sank for days

    is, the anchor of, your soul


    Anchor End, feat. FXRN, feels like the natural, perhaps inevitable, final chapter of this journey. It focuses on the moments when something in life has “sunk”—whether that’s a failure, a loss, a betrayal, or simply a season where we’ve been pulled under. Yet, it reminds us that even in those depths, there is something—an “anchor of your soul”—that holds fast. Something that keeps us grounded and keeps us from being swept entirely away by the tide and wind.

    The song doesn’t shy away from the imagery of struggle. It embraces the fact that life carries with it sunlit moments and shadowed days. The anchor here is both literal and symbolic: a point of steadiness when the rest is shifting water. It’s a quiet, steady encouragement that survival is possible, that holding on is worth it.

    As the thematic close of the album, Anchor End ties together a wide arc of history, emotion, and metaphor—touching each work that came before it:

    • Ashes in Rome (The Stone of Rome) – remembering the fall of empires.
    • Ruins of Pharaohs in Egypt (Flys will Pharaoh) – history’s grand powers brought low.
    • Mishaps of the Hapsburgs (Haps of Icebergs, Mis) – dynasties undone by missteps.
    • Nothing but Blackness Between Light and Dark (Between Light & Dark, Places) – the liminal spaces between extremes.
    • Our Darkest Days (Those Days) – and the reminder that they are gone.
    • The Relentless Motion of Life (Ebb and Flow) – how change itself becomes a force to reckon with.
    • What We Cannot Fully Grasp (Non,e) – the cryptic spaces between meaning and mystery.
    • Lacks in a Ballroom (What Lacks of Ball, Room) – the absence of what should be there.
    • Burning Pastures (Bright Pastures) – the risks of what we think will help.
    • The Search for the End (Close, what?) – and the questions we never quite answer.
    • Silence and Struggles (Velo, City) – the quiet wrongs that go unchecked.
    • A Meadow Fallen Plain with Lime on Yews (Meadow Fallen Plain) – devastation in the midst of beauty.
    • Falls of a Maestro (Falls, Maestro) – leadership, questioned.
    • A Broken Mast in the Roadway (Middle of the Roadway) – being stranded mid-journey.
    • The Space That Should Be (Ocean Meadows) – what it’s like to be denied space.

    In this light, Anchor End is more than just a closing track—it’s the final tether in an album that’s navigated ruins, conflicts, betrayals, losses, and silences. Where so many songs in this set focus on what was lost, destroyed, or left incomplete, Anchor End speaks to what remains.

    It’s the reminder that while ships may founder and storms may rage, if the anchor holds, the journey is not over.

    —Josh Montague

    🎧 Click Here to Listen to Anchor End


    Follow & Explore:
    🌐 Website: thejoshworld.com
    𝕏 Twitter: @thejoshworld
    🎵 TikTok: @thejoshworldme
    📺 YouTube: @thejoshworldme

  • Velo, City – Josh Montague [feat. Vitrae]

    (First Studio Song Featuring Female Vocals)

    Velo, City is a track wrapped in a strange stillness—an eerie, almost cinematic quiet that sits just beneath its melody. The lyrics center around “the distant silence” and “nothing’s put to bed”, evoking that uneasy feeling when wrongs are left unspoken, injustices are brushed aside, and truths go unacknowledged.

    This is the first of my songs to feature a female vocalist, and her delivery amplifies the track’s haunting atmosphere—mysterious yet deliberate, weaving subtle urgency through the stillness. The song’s tone suggests more than it states, hinting at accountability and trust as values that are too often sacrificed for comfort or convenience.

    The imagery of “locking the door and barring the latch” paints the picture of both protection and concealment—a duality mirrored in cities everywhere. Behind the walls and systems meant to uphold rights, shadows still grow. Velo, City plays with this irony—structures meant to defend you, me, all of us—while injustices persist in plain sight.

    Highlighted Lyrics:

    the distant silence
    nothings said
    the distant silence
    nothings put to bed

    lock the door and bar the latch
    lock the door and set the catch
    lock the door and bar the latch
    but, something is, about, to hatch

    velocity
    reciprocity
    is like a friend to be
    from yours to me

    from ta’s to ta’s*
    from ta’s* to tu
    from 2 to ti
    from me to you

    the distant silence
    nothings said
    the distant silence
    nothings put to bed

    the distant silence
    nothings said
    the distant silence
    nothings put to bed

    and so, you will go

    In its title, Velo hints at both speed and a veil—something moving quickly, yet hidden from view. City grounds it in a place where these patterns are most evident: the dense, layered environments where silence and noise coexist, and where what is seen is not always what is true.

    This song is a quiet confrontation—a reminder that the things people choose to ignore often speak the loudest. And when “nothing is put to bed,” the unrest remains.

    Click here to listen to Velo, City →

    🔗 Connect with Me
    Website: thejoshworld.com
    Twitter (X): @thejoshworld
    TikTok: @thejoshworldme
    YouTube: @thejoshworldme
    NFT Art & Digital Works: thejoshworld.com/nfts

  • Falls, Maestro (Studio Version) – Josh Montague [feat. Ian Unix]

    Falls, Maestro is a reminder of the facts of life — the unchangeable truths that shape us.
    It nods to the apple in the garden, the apple that dropped for Newton, and the very roots we come from.
    These are not moments we can bargain with or undo; they are set pieces in the human story.

    Yet here, the “maestro” conducting it all becomes more than just a symbolic figure. Is it the one orchestrating nature’s laws, or is it a stand-in for the teacher, the guide, the one who presents the “truth”? And if so, how much of that truth is to be trusted?

    Like a multiple-choice question — True, False, A, B, C, or D? — the song invites us to consider not just the facts before us, but the credibility of the voice that frames them. Even the most authoritative baton can waver, and so the listener is left to weigh not only the lesson, but the one delivering it.


    Lyrics – Falls, Maestro

    the apple, the words
    your blade the shade

    the tree, your spree
    your glee, of me

    It falls, maestro
    it falls maestro
    it falls maestro
    it falls

    the world, it’s round
    your words they sound
    pierce like steel
    it cuts, not kneel

    It falls, maestro
    it falls maestro
    it falls maestro
    it falls

    🔗 Click here for the Studio Version:
    👉 https://youtu.be/NkUh_elfkv8

    📲 Socials:
    Website: thejoshworld.com
    X (Twitter): @thejoshworld
    TikTok: @thejoshworldme
    YouTube: @thejoshworldme

  • Meadow Fallen Plain (Studio Version) – Josh Montague [feat. Ian Unix]

    *”Space that there
    Moments like days
    Lime like that

    In Meadows*

    For meadows, for meadows, for meadows…

    Tropeless craze –
    Moments like years
    Lime sapped yews


    “Meadow Fallen Plain” is the latest in my meadow/pasture-themed works — a continuation of the thread woven through pieces like Bright Pastures and Ocean Meadows. On the surface, it reads like an ode to nature: an observation of landscapes, trees, and the delicate balance they hold. Having visited roughly 70% of the national parks in the U.S., I’ve seen firsthand the beauty and fragility of these places — from vast plains to hidden groves — and I’ve carried those experiences into my writing.

    But Meadow Fallen Plain is more than pastoral imagery. In the phrase “lime sapped yews”, there’s a subtle tension: trees that have stood for hundreds of years can be undone in a single moment — by fire, by storm, or by forces far more destructive. The imagery here isn’t far from a nuclear aftermath — a meadow that once held life and movement, now silent, flattened, and changed forever.

    The song’s refrains — “Moments like days” and “Moments like years” — capture the strange elasticity of time in such events. A long stretch of peace can end in an instant. A single moment can stretch endlessly in memory. Nature, like life, can be both enduring and heartbreakingly fleeting.

    It’s a reminder of stewardship — to protect what we have while we can — but also an acknowledgment of inevitability. Not everything survives, no matter how long it’s stood or how deep its roots reach. In that way, Meadow Fallen Plain is both a love letter to nature and an elegy for it.

    -Josh


    🎧 Click here for the Studio Version → https://youtu.be/GfbK7e8rlJ4


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  • Bright Pastures (Studio Version)– Josh Montague

    In agriculture, it’s common for farmers to burn grasslands intentionally — a controlled fire that revitalizes the soil, making it more arable for future growth. Yet, that practice comes with risk. A wrong wind, a moment of miscalculation, and the blaze can consume trees, harm livestock, or even destroy the very grain that was meant to be nurtured.

    Bright Pastures takes that reality and flips it into a metaphor about human nature — how some people seem almost drawn to disrupting good things. Some do it without thought, others with deliberate intent. Like a fire started in fertile fields, their actions can spread, damaging not only what’s in front of them but everything connected to it.

    Interestingly, this track follows my recent release Ocean Meadows. While that song pondered the space we make (or deny) for others, Bright Pastures almost feels like its opposite — a burning meadow finding immediate peace only in its aftermath. I didn’t plan it that way, but the thematic connection revealed itself after the fact.

    Lyrics – Bright Pastures

    bright pastures
    people seem to burn

    bright pastures
    people seem to burn

    the arable, the land that fills
    people people seem to yearn

    the arable, the land that fills
    people people seem to yearn

    instrumental

    the pock, the flock, the driven nock
    people people seem to churn

    the pock, the flock, the driven nock
    people people seem to churn

    bright pastures
    people seem to burn

    bright pastures
    people seem to burn

    the butter wings flutter lings
    of fowl, fowl, smoke

    the butter wings flutter lings
    of fowl, fowl, fowl, fowl, fowl, smoke

    The song layers rustic imagery over a deeper commentary — a reminder that even in the most fertile, vibrant spaces, there’s always the risk of destruction from within.

    🎧 Listen now: Bright Pastures

    — Josh Montague